Category Archive: Uncategorized

Now that I think of it, I have spent the last couple of years of my life in a sort of suspended animation, some kind of a make-believe, beautiful, intellectual world.

I have invented excuses for being transported into this other-world. I have more or less shunned the realization that a 'normal' life outside of my ideal world exists.

First it was chess. My obsession with the game although failed to see me grow into a better player, certainly made me scour its history and strategies and tactics and previous matches and players and their playing styles. During the 6 months of my wholehearted devotion towards the game, I read about half a dozen biographies notably those of Kasparov, Morphy (American player in the 1800s and considered to be the best ever), Capablanca (Cuban player famous for his aggresiveness). I read books about the various openings and attack styles employed in the game. I went through and replayed the moves of the famous games of the past. I ventured into an understanding of the way a machine plays the game differently than a human. In short, I must have 'wasted' almost 6 hours from my daily schedule for atleast 6 months straight.

Then it was poetry. As my interest began to grow in this utterly beautiful medium of human expression by my introduction to Ghalib's urdu poetry, I realized the silken genius with which the most eloquent minds spoke. After reading the works of Mir Taqi Mir, Ghalib, Afghani etc. I thought of giving Hindi poetry a try. I instantly became a fan of Harivanshrai Bachchan's prose and poetry and then went on to read many more brilliant writers like Dinkar, Neeraj, Mahadevi Verma, Gulzar etc. I started contributing to the hindi parts of wikipedia and also devoted a blog to writings especially in Hindi and Urdu. This passion has withstood the test of time and I am as engrossed in the field now as I ever was.

My latest craze is Audrey Hepburn, the beautiful actress and humanitarian who died in 1993! Without going into the details, I should just suffice to say that I have done little in the last 1 month apart from researching on her and watching her movies.

Is it wrong ? The way I tend ignore the real world ? I guess, to a rational eye, it is, but the fact remains that the real world is a drab place to live in. It lacks the melancholy beauty of poetry, the intellectual stimulation of chess and the intoxicating allure of those eyes. It does not appeal to the heart and for me, happiness does not lie in it. Nature is beautiful, physics is beautiful, artistic expression is beautiful but the daily chores of life are woefully insipid. They are just an inconvenience I have to live through.

While discussing with a friend today about things unimportant and trivial, we happened to come across some old memories. Old college memories. He, of IIT Bombay with its panthers and crocodiles and snakes and crappy food and dingy hostels and fun life in general. I, of IIT Guwahati with its snakes and crocodiles and crappy food and fun life and those ferry rides across the Brahmaputra.

For the uninitiated, Brahmaputra is one of the most important and mighty rivers of the Indian subcontinent. Originating near Mount Kailash in Northern Himalayas, it traverses the states of Arunachal Pradesh and Assam in North East India before joining the Bay of Bengal. Although to the general public, the river is known more for its depth, its flow, its width etc., for the students of IIT Guwahati first year, the river is known more for the notoriety which it showed when it so mercilessly separated the college from human civilization on the North.

The bus, which plied between our college and the city, although the prudent option, nevertheless, lacked the excitement of a ferry ride across the Brahmaputra. So more often than not, we used to cross the river on a boat. My old memories are especially vivid and dear of those days when the weather used to be overcast. I used to cycle my way from the college to the ferry ghat on the mud path which traversed through a thicket of coconut trees and adjoining straw huts like a snake in a forest. Especially during those rainy days, I relished the touch of the cold moisture laden air, the view of the distant cloud covered mountain tops, the smell of the slightly moistened earth indicating an impending downpour and the sound of chirping birds in the adjoining undergrowth.

The ticket for the ride used to cost about 1.5 rupees (about 3 cents!). The boat had wooden benches to sit and those were covered with a thick tin sheet on the top. I always used to sit on the top where it was open to fresh, cold air and vast, uninterrupted sights. It generally took about 20 minutes for the motorboat to cross the width of Brahmaputra. With the distant sights of shops and houses dotting the North Guwahati shore, the ferry ghat and miles and miles of green forests on the other shore, a faraway, lonely, majestic bridge, an isolated, slightly confused island in the middle of the river, birds trying to compete with the speed of the motorboat just above the water surface, the smell of rain hanging in the air, the taste of wet and dripping, subdued and afraid sunlight, the all pervading noise of complete silence, only broken incidently by the soft touch of cold air on my ears, I could not think of anything non-consequential like the struggles, sorrows and rewards life. I just used to curl up my legs and hold on to my jacket a bit more tightly to counter that ever penetrating cold. But my eyes were always looking into the distance, trying to absorb as much as possible.

Its not the latest news that the world is a cruel and a partial place to live but nowhere does this cruelity and this partiality manifests itself with more force than in the field of photography.

Consider an amateaur photographer, serenely proud of the latest Nikon digital SLR which shot a thousand dollars out of his bank account, a bit overwhelmed by the monstrous contraption that is his new gadget, but nevertheless, deriving hope from the impeccable scenery in front of him and from the confidence which he gained by reading all those reviews which told him that his newly bought camera takes the most amazingest of all photos.

He looks almost patronisingly at the helpless orange sun, the soon to be captured in a 3/2, infinity of the ocean, and those myriad colours which will soon be mercilessly decomposed into RGB. He cannot help but allow himself that smirk of pity which is the natural outcome on the face of a sadist professor when he recieves the answer sheet of the most hopeless student of the class. Confidently, he aims his camera towards the spectacle in the same way as the first German Panzer would have done against the helpless Polish army and prepares to shoot. And then it hits him. Is the focus right? What should I do with the exposure? The Aperture? The filters? The colour balance?

As he is ruminating over these technical sounding words, mother nature, in one of her infinite wisdoms, decides to give the proud snob a piece of her mind and starts pushing the sun down into the ocean at an ever accelerating pace. The photographer, now nervous, discovers the wisdom in the saying that "something is better than nothing" and arrives at the conclusion that "It is now or never". He selects some settings which he thinks will do justice to both the spectacle and his prodigious talent and clicks.

Back in his home, he shows his day's accomplishment to some of his friend's with the enthusiasm of a 5 year old showing off his new toys. He expects some "Ah so beautiful"s, some "How the hell"s and some jealous shuffles. An uneasy silence ensues. Is it approval? I am sure that they cannot find words to describe the beauty that I managed to capture in these photos. Or is it...? And then someone speaks up. "Its fine.".

Now I do not need to explain that "fine" is the cruelest of all human inventions. It never really intends what it means. You use it when you do not want to be rude. It is, on most occasions, the embodiment of total disapproval, just a nice way of saying "you do not have much future here son!". And our amateaur photographer, howsoever hopeless in photography, understands this innuendo perfectly, if not by his ability at detecting hidden meanings but surely by the utter hopeless despair with which the following words were spoken - "Its fine".

And I moved my face closer, the rose petal, shimmering in the redness of health, bent near the edges like a child streching his arms after having woken up from a deep sleep, smelling of diving fragrance, filled most of my view. A lone dew-drop, lying confused on its silky skin, reflected my captivated presence on its silvery, transparent surface. As I moved my head a little sideways, the surface of the drop of liquid shone in the brilliance of a dazzling array of colours as it captured the might and the heat of sun in her humble existence. Queer, isn't it? The fact that something as small and insignificant as a drop of water is sufficient to express the complete beauty of something as harsh as the Sun. You can never realize that beauty by looking directly at it. It does not reflect from the surfaces of rivers and oceans. No amount of power can extract that miniscule colourful beauty from its severe heat and light. And yet. Give it the soft touch of the curves of a dew drop and it melts into a beautiful play of colours. As the wind picked up speed, the rose petal started quivering. The dew drop, now helpless and confused, tried to hold her spot against the inevitable but finally gave up and fell off on the ground below. And all that remained on the surface was a faint and intermittent streak of water.

I waited for some more time and when that streak also vanished into thin air, I decided to move on.

Before writing anything I would like to mention that by writing this post, I am pretty much defeating the whole purpose of writing this post. I shall explain this statement at the end.

Recently, I abruptly deleted my Orkut account. People asked me the reason behind this sudden decision to which I replied that I just felt like it so I deleted the account. It was more an attempt to avoid further questions than anything else. In reality, the main reason behind this decision of mine was a growing sense of frustration on my part regarding how blatantly I wasted my time on Orkut. At this point I should make it clear that I never consider anything that I do, a timewaste, till it brings me some kind of pure, unadulterated pleasure. As an example, I have been spending atleast 6 hours daily, browsing for news, pictures, trivia etc. about Audrey Hepburn for the last 1 week but I do not think that it is a timewaste. I do not really care what others think as long as this activity makes me happy.

On the other hand, the problem with Orkut was that I was never able to devote any time to it without a sense of guilt. This guilt emanated from my subconscious realization that most of the things that I did on Orkut or that others do, conceal a veiled sense of vanity. The whole purpose of the site is to cash in on the most evil and most prevalent of all human shortcomings i.e. vanity. And this was precisely the argument which embarrased me, scolded me, jerked me and finally woke me up. I almost despised myself for falling into the trap. So I simply withdrew my account.

This brings me to my all important questions. Where does this vanity begin and where does it end ? How much of it should be acceptable before it gets vulgar and blatant ? In what forms does it reveal itself and finally, is it necessary for the existence of society ?

These are big philosophical questions and I would not dare go into their answers with my limited knowledge and understanding. The one thing I can say is that the fact that I want people to read this itself is a form of vanity which in effect defeats whatever I have been talking about. Maybe I will have to stop someday.

"A thing of beauty is a joy forever" said John Keats, and seldom has man spoken with such precision of observation and such truthful words. Audrey Hepburn certainly represents that beauty.

That joy manifests itself through those big, wide, innocent, endearing eyes. It hugs to the exquisitely carved features of her face and the perfection of her eyebrows. It drips through the urchinesque, naughty contours of her smile and the intoxicated curves of her hair. It breathes in the slenderness of her figure, in the fragility of her fingers, in the ivory perfection of her complexion and the graceness of her movements.

This admiration is not akin to that of a Julia Roberts, or Zeta Jones, or for that matter any other contemprory heroine. This admiration is akin to the admiration which arises when I see the myriad colours of the rainbow on the frail surface of a soap bubble. This admiration is mixed with the fear that, 'go too close' and the spectacle will vanish. Such a beauty can only survive in the safety of aloofness. It should not realise that I am watching. Like a butterfly on a flower. Like the quantum uncertainities.

And I keep watching, hoping that such works of perfect art should last forever even when I am aware that it is not possible. I hope against hope that those eyes will somehow, always retain their liquid brilliance. That that smile will never get polluted by those wretched wrinkles. That those plaits will keep shining in their silken luminiscence till eternity. I hope, but in vain as reality rears its ugly head. And then I look at her photograph again and for that one second, reality is thrown into oblivion. As they say: "A thing of beauty is a joy forever".

Some people recently asked me, "Why have you started posting so many of your posts in Hindi" ? And I kept quiet. Not because of a lack of reasons but because I had too many of them.

The first and foremost reason that came to my mind was an unsaid, subdued sense of revolt on my part against the shimmering facade of a continuously rotting Indian society. Now I could go on and on till eternity without breaking a sweat in reviling and blasting those moms who would rather say "betcha (polluted form of बेटा) corn खाने से stomach में ache हो जायेगा" in the hope that even if her "yet being anglicised" toddler catches a stomach ache on account of the comprehensive impenetrability of her recent gibberish, will atleast move in the right direction away from the poor and pathetic India which is hopelessly polluted by her mothertongue. I could give a million examples without saying an Ah! of those youngsters who try to mercilessly maul language and convert a "my" to "ma" and then to "moi" and finally to "mie" in the hope of forging their unique identity and sounding "khool (polluted form of cool) and who never for a second realize that all achievements both superficial and otherwise, rest on the strength of character and self belief and not on the crutches of a handicapped and bleeding language. I could laugh my ass off at those celebrities who do not anymore possess the talent of entirely speaking in their own language and have to resort to the familiarity of English every now and then. I could laugh surely but I won't as my heart cries out for the apathy which our regional languages have to face in our mass hypnotized nation.

But this is not the reason I have started posting so many of my posts in Hindi. The sole reason behind this is the dawn of my understanding of the subtle possibilities, the creative horizons and succint, inherent power of the Hindi language. The reading of Harivansh Rai Bachchan's नीड़ का निर्माण फिर, Mahadevi Verma's अतीत के चलचित्र, मधुशाला etc. has awakenden me to the immense facets of the language. I can safely say that whereas on one hand English seems to be better at expressing formality and logic, it can hardly match the silken fluidity of Hindi and Urdu at expressing emotions. It seems to me that this effect is do to the overexposure of English and some of its inherent weaknesses. Whereas we all have grown up studying English literature and are cognizant of its twists and turns, a simple verse in Hindi (Urdu) is enough to knock us off our sleep, sit up and take notice. Ironically, this is because of the unfamiliarity with the language which the Indian culture has introduced in us. Second reason is the simple fact that Hindi is better suited to rhymes and verses than English. One of my previous posts (Plight of an English poet) dwells on this. As an example, read these lines which describe the utter hopelssness and cynicism of a poet:

क्या करूं संवेदना लेकर तुम्हारी?
एक भी उच्छवास मेरा
हो सका किस दिन तुम्हारा?
उस नयन में बह सकी कब
इस नयन की अश्रुधारा?
सत्य को मूंदे रहेगी
शब्द की कब तक पिटारी ?
क्या करूं संवेदना लेकर तुम्हारी?

I would be more than happy to explain them if someone has any problems, but my point is that it is impossible to express something so subtle, so beautifully in English. Its just impossible. Atleast I haven't seen anything comparable till now.

Finally, I would end by urging that please give your languages the attention they deserve. Not because you owe anything to them or because it is your unsaid duty but because you would deprive yourselves of the immense treasures, those languages might be holding within. I will end by saying that I have nothing against English but I simply hate it when it becomes a status symbol in the hands of some non-discerning fools and ends up trampling and stomping our already tottering national language.