Plight of an English poet

I was watching this program called dirty jobs on discovery when I started wondering, what could be the most despicable and painful job in the world. It did not take me long to zero-in on the poets who squander their complete lives trying to rhyme those wretched emotions which have this uncanny habit of popping up in any and every line of any and every discussion with words which you will never ever use in a decent, sane discussion but which turn out to be the last straw in this unabashedly rhyme-starved world. These poets lose much of their hair and sanity in the search of this fool's gold. To top it all is the obligation that it all has to make some freaking sense. No, not to everyone for then it will be too easy and mundane. The poem should be screwed-up enough not to be too transparent and logical enough to make sense if a reader having a reasonable I.Q is ready to scratch the bottom of the barrel in search of meanings and interpretations.

The problem is much more acute for an english poet due to some very important factors. For eg. which is the one word that you think represents the most important and recurring emotion in the poetic hyperspace?............ Why, its 'love'. And which are the words which would rhyme with this all pervasive emotion. Now you have started scratching your head. This is the plight I am talking about. The best you can do is probably 'dove' or going to the extreme, 'skies above' and the buck stops there ('shove, glove etc. are termed too dry and it would take a real heartless foolish poet to use them in his poems). Its almost as if the makers of the english language had some personal hatred against the poets of the future. Compare it with the hindi language. The hindi equivalent of love is pyaar which can be conveniently rhymed with zillions of words like ikraar, intezaar, bekaraar, sarkaar etc. (And believe me, all those zillion combination have already been beaten to death in the hindi movies). If you atlast run out of all these combinations, Hindi has provided you with the freedom of making up your own non-sensical words so that even the most talentless poet can rhyme 'pyaar' with 'vyaar' and 'ishq' with 'vishq'. This fact has a very strong impact on the society in general. When a little johnny goes up to his father and says that he wants to be a poet, the father conveniently kills his innocent ambition by the words- "Why johnny. You know how tough a life these poets lead? Even of you are ready to face those hardships, will you ever be able to find rhyming words with love, heart, cry, eyes?" And little johnny reluctantly sees reason in this charade and drops all his plans of becoming a poet and starts concentrating on sports (presumably the easier field). On the other hand when a pappu asks his papa the same question, the papa can only look to pappu's bleak future in dismay as he knows that even pappu, with his limited IQ, can rhyme words in this hopelessly romantic Hindi language. And the Indian sports arena suffers another setback.

I believe that this very important factor has lead to the development of a class of poetry in English which does not have rhyming words as one of its prerequisites. You can basically write a prose on the economic repercussions in socialist russia, punctuate it with a large number of unnecessary commas, colons and semicolons, break it into different lines and submit the final product as a poetry in the International poetry competition and stand a good chance of winning the first prize in this hopelessly rhyme-impaired english world. You cannot do the same in India. Upon doing this, you stand a good chance of being reviled as uncreative, boring and many a times even blasphemous. Why else did you leave the comforts of the discovered territory and venture into the unknown and the wild?

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